ritual Archives - The 10 Sons Of Manu https://www.the10sonsofmanu.com/tag/ritual/ Mon, 05 Oct 2020 11:44:59 +0000 en-GB hourly 1 https://wordpress.org/?v=6.7 https://www.the10sonsofmanu.com/wp-content/uploads/2019/06/cropped-Arabic_Jim-32x32.jpg ritual Archives - The 10 Sons Of Manu https://www.the10sonsofmanu.com/tag/ritual/ 32 32 Photographing the Phuket Vegetarian Festival https://www.the10sonsofmanu.com/photographing-phuket-vegetarian-festival/ https://www.the10sonsofmanu.com/photographing-phuket-vegetarian-festival/#comments Fri, 13 Jan 2017 11:52:50 +0000 http://www.the10sonsofmanu.com/?p=547 Featured here is a selection of my favourite photographs of the Ma Song – Spirit Horses from the Vegetarian Festival in Phuket. I’ve reproduced them in black and white which is my preferred medium. To understand the history of the festival and its ritual practices please visit an older post documenting the Festival in Phuket – […]

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Featured here is a selection of my favourite photographs of the Ma Song – Spirit Horses from the Vegetarian Festival in Phuket. I’ve reproduced them in black and white which is my preferred medium.

To understand the history of the festival and its ritual practices please visit an older post documenting the Festival in Phuket – Thailand

Ma Song
Procession through the streets.

If you wish to know more about the Ma Song’s and their motivations and experiences I found these interviews to be informative: Interview with a Spirit Medium, and Life of a Ma Song.

man getting cheek pierced during phuket vegetarian festival man pierced cheek umbrella phuket vegetarian festival man pierced cheek umbrella phuket vegetarian festival

If in Phuket and in need of a knowledgeable guide I can recommend Kritchaya Na Takuathung with Phuket Heritage Trails. Khun Chaya is a Phuket native, fun to be with, and has many rave reviews on tripadvisor.

For the photogs reading this post I’m a Canon gal and used the 85 mm 1.2L and 35 mm 1.4L for this event. Most of these photos were taken with the 35 mm, with very little cropping, which meant getting up close and personal to the subjects.

It is only after the event, when I started to edit the images that I felt squeamish. Curiously, while in the zone / flow of shooting the subjects being pierced I wasn’t so effected.

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The days were manic, trying to cover all aspects of the Festival wasn’t possible. The streets and temples were crowded and you had to hustle for access and proximity to the piercing’s.

It’s a chaotic space crowded with professional and amateur photographers and videographers alike mixing it up in the pits with friendly camaraderie.

Ma Song with piercing.
Ma Song – horse chariot with pierced cheeks.

The weather was inclement with a cloudy sky and some rain. Which put a bit of a damper on things, however, the processions continued in an earnest manner. Everyone enjoying the festivities.

fish hook piercing man chest phuket vegetarian festival face piercing phuket vegetarian festival Lashing tongue tomahawk small axe phuket vegetarian festival cheeks pierced phuket vegetarian festival woman tongue piercing ma song phuket vegetarian festival man sucking on a baby dummy during Phuket Vegetarian Festival Drill bits cheek piercings Phuket Vegetarian Festival. pierced cheeks flower stalks phuket vegetarian festival

Attending the event, and then researching the Festival was a rewarding project, The Phuket Vegetarian Festival is worth attending, and will be held from October 20 -28th in 2017 – have fun.

Whipping with hot oil.
Whipping with hot oil.

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Muay Thai The Art of Eight Limbs https://www.the10sonsofmanu.com/muay-thai-art-eight-limbs/ https://www.the10sonsofmanu.com/muay-thai-art-eight-limbs/#respond Mon, 15 Aug 2016 13:35:30 +0000 http://www.the10sonsofmanu.com/?p=301 My first Muay Thai event at the Bangla Boxing Stadium in Patong, Phuket – Thailand was an experience. Attending martial art events is not something I’d normally do but after hearing all day long from a van decorated as a boxing rink driving around the streets of Phuket and announcing from a megaphone “Tonight – Tonight – […]

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My first Muay Thai event at the Bangla Boxing Stadium in Patong, Phuket – Thailand was an experience.

Attending martial art events is not something I’d normally do but after hearing all day long from a van decorated as a boxing rink driving around the streets of Phuket and announcing from a megaphone “Tonight – Tonight – Big fight, BIG FIGHT” I thought I’d go and see a match.

Muay Thai is the national sport and cultural martial art of Thailand and I had high expectations. The stadium was filled with cigarette smoke and Sarama the traditional music of Muay Thai playing through the sound system adding to the atmosphere in the stadium. Small groups of gamblers scattered throughout the stadium betting on each fight added to the tension of the evening.

I enjoyed watching the wai kru ram muay  – the pre-fight ritual dance being performed to pay respect to the fighters, trainers and coaches.

It was fascinating to see ringside spectators facial expressions circulating through a range of emotions as the fights intensified.

Beside us a bench of tourists getting into the spirit of the event and chanting ‘Aussie, Aussie, Aussie, Oi Oi Oi.’

Please see a collection of photographs taken of the ‘nak muay’ and ‘nak muay – farang’  fighters at the Muay Thai event in November 2010.

in focus
Thai fighters “nak muay” preparing for the fight.

Muay Thai fighters in the rink Fighting Delivering a kick. Match betting. Referee Wai kru ram muay Waiting Muay Thai fighters in action. A close Muay Thai match.
KO knock out
KO knock out
Champion Champion

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A.A. Mangkling’s Ngaben, Bali https://www.the10sonsofmanu.com/aa-mangklings-ngaben-bali-indonesia/ https://www.the10sonsofmanu.com/aa-mangklings-ngaben-bali-indonesia/#comments Tue, 22 Nov 2011 05:56:05 +0000 http://www.the10sonsofmanu.com/?p=94 Attending A.A. Mangkling’s Ngaben in Bali was an honour. The Hindu-Balinese believe the body is impure, a temporary shell, having no significance at all, except as a container of the soul and its anchor to the earth. All thoughts at the time of death are concentrated upon the spirit and its passage to heaven. The […]

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Attending A.A. Mangkling’s Ngaben in Bali was an honour.

The Hindu-Balinese believe the body is impure, a temporary shell, having no significance at all, except as a container of the soul and its anchor to the earth.

All thoughts at the time of death are concentrated upon the spirit and its passage to heaven.

The body is just there to be disposed of, and instead of grieving the Balinese prefer to throw a great celebration. And in the process hastening their dead friends soul to oneness with god.

Community working together for Mr A.A.Mangkling's ngaben in Bali
Community members working together to make the bamboo stretcher.

The village community members banjar work together to make the bamboo stretcher for the first ritual, nyiramin layon the bathing of the corpse.

Making the stretcher. Bamboo stretcher

The head of the family, and assistant to the priestess, is making the sandalwood effigy, which is then wrapped in a cloth and decorated.

Head of the family making the effigy
Making the sandalwood effigy.

The body is bought from the families ritual building to be placed on the stretcher for bathing.

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Holy Water

Holy water bought from the High Priestess’s home will cleanse spiritual impurities, fend off evil forces, and render the recipient immune to attacks of negative, or demonic, influences.

In Bali, holy water is not a symbol or something abstract. It is a sekala container of niskala power, and as such, is sacred and holy in and of itself.

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The Body is Decorated

Leaves are placed on the eyebrows to ensure a good shape so he will be good looking upon his return.

A white colour flower is placed inside his nose to make him fragrant. Gold signifies happiness, joy and positive thinking.

The string benang from his head to toe is nice and straight symbolising a good person.

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Preparing the Offerings

Women work for several weeks on preparing the offerings which will provide symbolic pleasure to the deified ancestors and to the spirit that will be shortly released to God.

They satisfy the hunger of the evil spirits, the bhutas and kalas, who stand greedily by, ready to interfere in mans every activity.

Most important however, the offerings will implore God to purify the spirit and return it to earth in an appropriately higher and purer form.

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The body is placed on the cremation tower wadah or hade ready for transportation to the cremation grounds by the banjar men.

The procession is led by a young man carrying the ceremonial knife kris which has magic powers.

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The long white cloth, the lancingan, stretched above the heads of a train of people is a symbol of attachment. And the connection / relationship to the family.

The stuffed bird amnuk dewata symbolises the purified soul that the still unclean spirit will soon become.

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Cremation tower.

At the cremation grounds the banjar men spin the tower around, in order to confuse the spirit and make it lose its way so that it cannot return and haunt the family.

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In the Hindu-Balinese cosmology, the body of man is but a microcosm of the universe, made up of the same five elements: air, earth, fire, water, and space.

These constitute, temporarily, a place for atman, the immortal soul. On the cloth is a drawing of the microcosm.

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Fires are ignited by a blessed torch and the element ‘fire’ ritual is now underway. The medium by which the body is offered up as a last sacrifice.  Thereafter, the tower and all of the other accessory objects are separately burned.

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When the fires have died down, family members collect scraps of ash and bone from the body. Bone fragments are placed inside the yellow coconut and then it is wrapped and decorated.

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Male Effigy

The effigy is assembled on a bamboo frame about 40 cm high. The conical base is covered with leaves from a sacred banyan tree, collected in a special ceremony and symbolising the fire that will release the atman from the sekah.

Leaves must be arranged concave side down for a male effigy. The opposite for a female. Then decorated with special dried flowers and a fan-shaped background, similar to the adegan of a cremation.

Finally it’s wrapped in white, decorated with gold leaves, and placed in a special shrine on a silver tray.

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The high priest pedanda performs a series of mudras, or hand gestures using his bell and other paraphernalia such as a brazier. Chanting helps release of the soul and aid it on its journey.

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A dapdap tree carried in the procession to the sea is considered magical because it grows so rapidly.

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Five Elements

Now the five elements of the body have been returned to the macrocosm whence they came.

And the spirit has been released to the sea where its impurities will fall as sediment. From which its purer essence will be summoned for the next and final major series of ceremonies.

The nyekah, wherein the soul is returned to suarga-neraka, just as the body’s elements have been returned to the bhuana agung.

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Spirit being released to the sea.

Heartfelt thanks:

Wayan Budiasa for the introduction to Mr. A.A. Mangkling’s family members. And for his input into the production of this photo essay.

Yusa Arsana Putra, head of the family, for allowing images to be made at the celebration of A.A. Mangkling’s life.

Fred B Eiseman JR’s book Bali Sekala & Niskala” Essays on Religion, Ritual and Art.

In particular the chapter titled Cremation In Bali – Fiery Passage to the Afterlife.

Which was a very reliable source of information and helped fill in the details of this photo essay.

This story was re-imagined and is available in black and white.

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